I've just started doing up a spreadsheet with a list of all the colors on it, one color per line... I am going to print it and have the pages laminated, and use them to write notes on in my studio - kiln notes, etching notes, reaction notes etc.
I've been without my torch for nearly two years, and today I pulled my glass out of storage and started going through it. Bliss! It made me sad when I realized that many of my favorite colors in this stash were oddlots and/or aren't available reliably
(Vetrofond's Silk and Medium Ocean translucents, and some really stable, salmony coral from maybe 5 years back. Of course I have less than a quarter lb of each, haha).
I'm shocked that I'll be close to 200 when I've finished entering just the rod colors. My husband will kill me, I'm not even a 'career' lampworker