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Tips, Techniques, and Questions -- Technical questions or tips |
2006-09-24, 1:45pm
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Pyromaniac
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Join Date: Jun 27, 2006
Location: Out there on the interwebs
Posts: 1,784
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How do I get the boro-like effect with Rubino?
Does it have something to do with silver?
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2006-09-24, 3:58pm
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A True Woofer
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Join Date: Jun 13, 2005
Location: the land of nod
Posts: 3,895
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Yes, it has to do with silver leaf, I think. Or also silver fuming.
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Ellen
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2006-09-24, 6:42pm
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I think it was Michael Barley that posted his technique of using silver and Rubino about 1 year to 2 years ago. Do a search on WetCanvas. It's probably still over there somewhere!!
Candy
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2006-09-25, 4:53am
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Pyromaniac
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Join Date: Jun 27, 2006
Location: Out there on the interwebs
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2006-09-25, 8:56pm
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OY and Psyche Junkie
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Join Date: Sep 07, 2005
Location: Cypress, CA
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Bunyip,
Thanks for finding the information and posting the link - this is really beautiful! Looks like a fun technique to try.
Cheers
Kathy
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2006-09-26, 5:10am
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Senior Member
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Join Date: Nov 27, 2005
Location: Maryland
Posts: 472
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I think the two flanking beads here -- http://www.lampworketc.com/forums/sh...&postcount=302 -- are made with Rubino over leaf (or foil) too. You might want to ask the artist, to see if she will reveal the technique.
JanMD
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2006-09-26, 10:04am
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Member
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Join Date: Nov 16, 2005
Posts: 76
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I made this set about a year ago. I layered in this order: white dot, rubino dot, dot of silver blue frit pulled into stringer. Melt in and encase in clear or top with a clear dot. I found that the way you put the silver blue stringer on affects the look. If you give it a little twist while applying, it looks cool.
Chris
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2006-09-26, 1:19pm
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Ad astra per aspera
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Join Date: Jun 15, 2005
Location: Apache Junction AZ
Posts: 7,324
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There's SO MUCH you can do with rubino and silver. It's a wonderful combination with lots of possibilities. Here's one of my favorites...Moretti ivory base, wrapped in a layer of silver foil (leaf works, too), then doodled with rubino stringer. Melt the stringer in, let it cook for a few more minutes, then pop it into the kiln. I love the carnelian colors and the mossy green undertones.
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Karen Sherwood
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2006-09-26, 8:27pm
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Following my Dream
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Join Date: Jun 26, 2006
Location: Pensacola,Florida
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Does it have to go into the kiln right after or can it be annealed later.I batch anneal and tried it with red leaf but the color wasn't anything like the rest.I didn't know if it was because of the leaf or the non-annealing. I had everything except the silver leaf, decided to expirement.
Margie
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Still working on Hothead with bulk tank propane,(so I can buy more glass). Middle name is Patience...lol been torching almost(one week short) one year.
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2006-09-26, 11:31pm
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Senior Member
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Join Date: Nov 07, 2005
Location: So Cal
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What does Rubino look like in rod form?
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2006-09-27, 5:18am
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Pyromaniac
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Join Date: Jun 27, 2006
Location: Out there on the interwebs
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My understanding is that in it's rod form Rubino varies in appearance from nearly clear to a rosy transparent pink. It is a striking color as well, and requires special handling both when you're working it and when annealing. It doesn't like too much heat, so work it in the back flame and don't let it sit in the kiln for too long or it can go muddy. The color is a very nice maroon pink when it is properly handled. YMMV on this. If I'm not mistaken, the Moretti version was called Gold Cranberry Pink (S-456). I'm not sure if they've changed the name officially to rubino.
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2006-10-06, 5:19am
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Pyromaniac
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Join Date: Jun 27, 2006
Location: Out there on the interwebs
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I (finally) tried this last night. I'll post a pic when I can. The effect came out really nice, but then I screwed up the encasing.
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2006-10-06, 5:42am
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Senior Member
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Join Date: Jul 17, 2006
Location: Aberdeenshire, Scotland
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I've used silvered-rubino stringer, on black, then encased with nice results. Or just rubino over silver foil on a base bead, I get more pink remaining that way!
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Mary
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