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Tips, Techniques, and Questions -- Technical questions or tips

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  #241  
Old 2009-01-21, 5:00pm
Drafly Drafly is offline
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Quote:
Originally Posted by pam View Post
There are a lot of us here, Jim, who know exactly what we are working with and why and when they are dangerous. I think all they were trying to find out is why there was not the normal orange/turquoise reaction that is normally had.
Pam, That statement was not intended to diminish the knowledge of lampworkers on this board. I am a newbie and only know glass colorants and materials through the stained glassand pottery industry. It is the same soda/lime glass. I appreciate the wealth of knowledge here and have learned what little I know about lampworking from being a lurker here. If I stay on the board, I know I will have to pick your brains for much.
Have a good evening, Jim
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  #242  
Old 2009-01-21, 5:27pm
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Good reasons for everyone to be sure to have/use adequate ventilation.
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  #243  
Old 2009-01-21, 5:37pm
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Quote:
Originally Posted by Listenup View Post
Good reasons for everyone to be sure to have/use adequate ventilation.
think we should stop licking the beads?
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new purple cricket @ home! minicc @ playing with fire in rockland! Sue & Nikki fighting over who gets to anneal the wonkies
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  #244  
Old 2009-01-21, 5:53pm
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I think that you'll find a lot more lead in lampworking glass than some might expect. It's fairly common in reduction glass and frit. Calcium and potassium are both common in the fluxes.

Robert

Last edited by RSimmons; 2009-01-21 at 5:54pm. Reason: Left something out
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  #245  
Old 2009-01-21, 6:18pm
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ooh...I think I need that metallic black LOL!
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  #246  
Old 2009-01-21, 6:33pm
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Very nice work, Natasha, and helpful to see what this glass does. I would be very interested to know that the metal in the black glass is.

Robert
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  #247  
Old 2009-01-21, 6:44pm
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For some reason I had thought BE was made without lead... maybe I was thinking of something else.

Amazing how fast the knowledge dissipates when I am no longer using it on a daily basis!
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  #248  
Old 2009-01-21, 6:49pm
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hmmm. I like the bubbles. I go through a great deal of effort to get lots of bubbles. thinking more now...
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  #249  
Old 2009-01-21, 7:00pm
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Quote:
Originally Posted by Drafly View Post
Orange - Cadmium sulfide + selenium (selenium like cadmium sulfide is a known carcinogen and should be handled very carefully) It is a very tricky color.
Before another thread starts on the dangers of this, when it is heated in the crucibal during the manufacturing of the glass, the molecular structure is changed.
You don't want to know what is in the rest of the glass you are working with.
Jim
don't worry - I'm not concerned - I was just amazed/curious .
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  #250  
Old 2009-01-21, 7:00pm
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Quote:
Originally Posted by pam View Post
There are a lot of us here, Jim, who know exactly what we are working with and why and when they are dangerous. I think all they were trying to find out is why there was not the normal orange/turquoise reaction that is normally had.
yes, thank you!
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  #251  
Old 2009-01-21, 7:03pm
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Natasha - what is that middle set made out of? I love that color.
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  #252  
Old 2009-01-21, 7:17pm
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LOL!!
see how long my "holding out" lasted?....what amazing will power....oy vey.....
I'm going to try this glass out....
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  #253  
Old 2009-01-21, 7:23pm
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ooh....what color is that?
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  #254  
Old 2009-01-21, 7:30pm
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That is a semi-opaque marine with a light blue trans coating. There's some of our luster frit in there (which may be adventurine glass frit after all). I am checking on it.
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  #255  
Old 2009-01-21, 7:33pm
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Smile Devardi glass is great

I am pleased with the way it works and the colors i ordered were great.
Really bright.
I have used moretti now for about 4 years and thay have a tendancy to fracture if put straight in flame.
I take the rods and work in out of flame15 to 30 seconds and melt, very little shock, no more than moretti.
I made several marbles from 5/8 to 1 1/4 inches annealled all night and never lost any.
I have not had a chance to mix the two glasses.
I did mix 4 colors togeather and no cracks when done.
Natasha put everything up front on what to exspect and has emailed me back and answered all my questions.
Shipping was fast also.
I give them 5 stars for all they have done for me.
I am getting ready to make annother order.
Thanks
Marblemike
Cordell,Ok.
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  #256  
Old 2009-01-21, 7:37pm
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WOW--another new member--Welcome Mike!

I wanna see pictures, please! I make marbles too.....mostly boro though...
anyhoo, I love marbles and would love to see them!
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  #257  
Old 2009-01-21, 7:50pm
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I can't wait to get my glass! I ordered last week. I am getting the salmon and the metallic black. Yay! I can't remember what else I got.
I think I got some butter too. It looked similar to darker opal yellow in the picture. If this glass is deeply color saturated I will be very happy.
I use a lot of twisties with transparents over white, and stretch them out, and it's hard to keep the color from fading to white with effetre
and vetrofond, even though I always use the darkest transparents. I am really looking forward to getting my glass! I will post pictures
once I get it and play with it. Thanks Natasha!

Kelly
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  #258  
Old 2009-01-21, 7:53pm
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You're so welcome, Kelly. Thank you very much! Natasha
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  #259  
Old 2009-01-21, 8:03pm
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question for you Natasha-
how does one figure out what number corresponds to what name color?
Like for number 6 on the chart--what is the name of that glass?
Will the rods be labeled with numbers?
thank you!
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  #260  
Old 2009-01-21, 8:05pm
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Awww, I wish I had ordered that color too!!! I don't remember seeing it on ebay. If I had, I would have nabbed it in a second!
I think I got some transparent marine to try though. When I first started lampworking, I took my first trip to C&R Loo and I was
enchanted with the translucent alabasters and opalinos. I bought a bunch of a color that was similar to that. I didn't realize how
awful they were to work with at the time. I hope the Devardi is easier to work with!
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  #261  
Old 2009-01-21, 8:15pm
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The semi-opaques I used (4 different colors) were easy to work with and are similar looking to the opalinos and alabastros. So far I like them the best, they have kind of an inner glow. Tough to describe.
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  #262  
Old 2009-01-21, 8:32pm
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I think you should use both. Really, because it's hard sometimes to see from a photograph what the color is. On my monitor,
it was hard to tell the difference between Bubby's amethyst bead and the amber bead. I have a much harder time memorizing
color numbers than I do names for when I want to reorder something. We can help you name them if you want!!
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  #263  
Old 2009-01-21, 8:35pm
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That might be cool!!!
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  #264  
Old 2009-01-21, 8:38pm
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....naming contest???
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  #265  
Old 2009-01-21, 8:52pm
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Quote:
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Exactly Bubby. Really hard to describe. They have a soft depth you really need to see.

Nagi, the names are our own doing. The next order will have so many colors, we won't be using names. It is too confusing. We are going back to numbers.
cool! I can't wait to try 6, 15 and 58....and the semi opaques too..
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  #266  
Old 2009-01-21, 8:54pm
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Quote:
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....naming contest???
that's alot of names....
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  #267  
Old 2009-01-21, 10:43pm
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you guys are gonna make me order more glass
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  #268  
Old 2009-01-21, 11:05pm
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Quote:
Originally Posted by Bubbyanne View Post
The semi-opaques I used (4 different colors) were easy to work with and are similar looking to the opalinos and alabastros. So far I like them the best, they have kind of an inner glow. Tough to describe.
Oooh...I love opalinos.
I may have to save my pennies and try these
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  #269  
Old 2009-01-21, 11:30pm
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LOL! Well you won't have to save too many at 6.99/lb.
I'd ask them to put an assortment together for you.
They did one with their black colors for me.

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Oooh...I love opalinos.
I may have to save my pennies and try these
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  #270  
Old 2009-01-22, 12:04am
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Natasha,

I'm curious about the Purple Transparent. Is it like the Moretti Amethyst? Lauscha Purple? Or is it as scrumptious as the picture shows?!
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